The Innocents

The Innocents

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Description

Part of Bill Viola’s Transfiguration series, The Innocents explores the presence of the dead in the world of the living. The video documents a boy and a girl who slowly approach out of the darkness and into the light. Shown on separate screens, they break through what is, at first, an invisible threshold of water, suggestive of a passage from the spiritual world into a physical plane of existence. Once incarnate, however, all beings realize that their presence is finite, and so the figures eventually turn away from material existence to return from whence they came.

Trailer

Reviews

  • Wuchak

    7
    By Wuchak
    **_When the soldiers of the Red Army are just as bad as the German occupiers_** Seven months after the end of the European theater of WW2, a nun from a convent in Poland seeks the aid of a French Red Cross worker, who’s helping French survivors of the concentration camps (Lou de Laâge). It turns out that some Russian soldiers paid a barbaric visit to the convent when they were taking over the territory months earlier. “The Innocents” (2016) is based on the true story of Madeleine Pauliac when she was working as a doctor in Poland, renamed Mathilde Beaulieu for the movie (Lou). It has a similar milieu to “Black Narcissus” and “Agnes of God,” except that it’s rooted in a real-life account. It’s not as good the former IMHO, but it’s superior to the later. You could call this a WW2 drama and it works as a realistic period piece. I’m glad the scriptwriters added the relationship of the Hebrew doctor with the protagonist, which works up both historical and human interest amidst the glum proceedings. Lou de Laâge is one of the highlights. She’s a pleasure to behold and her lips are exquisite. The film runs 1 hour, 55 minutes, and was shot in northeastern Poland at Morag, Krosno and Orneta. GRADE: B

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