A Hollywood studio executive is being sent death threats by a writer whose script he rejected - but which one?
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CinemaSerf
7
By CinemaSerf
It’s the job of “Griffin” (Tim Robbins) to secure good storylines for his Hollywood studio and he’s good at filtering out the wheat from the chaff. The thing is, though, he’s getting on a bit and there are rumours abounding that he is on his way out. When “Levy” (Peter Gallagher) arrives from an erstwhile competitor, the writing looks more like it’s on the wall than on the page. He’s also been having some difficulties with a mysterious stalker whom he’s spurned, professionally, at some stage and who is now bombarding him with threatening postcards. Finally, there’s his more off than on relationship of convenience with “Bonnie” (Cynthia Stevenson) to which he is surprisingly indifferent. Under pressure and under siege, his tormentor starts to get under his skin so he determines to get to the bottom of that whilst cleverly manoeuvring his new rival into a cul-de-sac that can only end one way! What now ensues sees a plethora of genuine stars pepper a film that allows Robbins to show us a character that’s shrewd, ruthless and charmingly shallow whilst at the same time not averse to taking drastic measures. It’s those that attract the attentions of tenacious detective “Avery” (Whooping Goldberg) who has a dead body, nobody to pin it on and is curious about the burgeoning relationship between the girlfriend of the deceased (Greta Scacchi) and this outwardly brash and smarmy film executive. This has all the ingredients of a comedy thriller with loads of glamour, a good deal of pithy dialogue and it sends up the Hollywood mentality satirically and plausibly. Robbins is in his element and exudes a sort of selfish obnoxiousness that’s actually quite likeable as he treads on the eggshells of a fickle and unforgiving business. It packs a lot of story into two hours, raises a smile and an heckle in equal measure and is probably Robbins’s best performance to date.
