Popeye

Popeye

By

  • Genre: Action, Adventure, Comedy, Family
  • Release Date: 1980-12-12
  • Runtime: 114 minutes
  • : 5.489
  • Production Company: Paramount Pictures
  • Production Country: United States of America
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5.489/10
5.489
From 633 Ratings

Description

Popeye is a super-strong, spinach-scarfing sailor man who's searching for his father. During a storm that wrecks his ship, Popeye washes ashore and winds up rooming at the Oyl household, where he meets Olive. Before he can win her heart, he must first contend with Olive's fiancé, Bluto.

Trailer

Reviews

  • r96sk

    4
    By r96sk
    Very poor. Safe to say, I didn't enjoy 'Popeye' one bit - despite the presence of one Robin Williams. He is pretty alright in the role of Popeye, but I personally didn't like the uneven/whacky nature of the film. I see - and appreciate - what they were going for, it just doesn't come off in my opinion. It's all very pedestrian. The characters around Popeye are annoying, as are the very forgettable musical numbers which don't fit in. I had high hopes for this, given I had heard good things of the titular character (not necessarily from this, just overall) as well as the fact of Mr. Williams appears. For me, in terms of his films that I've currently seen, this is closer to 'Hook' than (the awesome) 'Bicentennial Man'. I'm sure many out there would disagree on that latter point, as well as my view of this film itself. That's fine, each to their own of course. I, though, couldn't wait for it to finish.
  • badelf

    8
    By badelf
    Popeye (1980): A Nostalgic Cartoon Come to Life Robert Altman's Popeye isn't going to change anyone's weltanschauung. But good grief, is it delightful. A loving, slightly mad translation of the comic strip to screen, the film is a triumph of pure, unapologetic whimsy. Harry Nilsson's musical numbers are wonderfully bizarre - strange, singable tunes that capture the film's cartoonish spirit. Robin Williams and Shelley Duvall don't just play Popeye and Olive Oyl; they become living, breathing cartoon characters. Their physical comedy is so precise, so exaggerated, that each movement feels like a panel from E.C. Segar's original comic strip. The visual style is extraordinary. Sweethaven, built entirely on location in Malta, looks like a three-dimensional cartoon - all tilted angles, saturated colors, and impossible architectural perspectives. It's a world that exists somewhere between reality and illustration. For those of us who grew up with these people - Williams, Duvall, Ray Walston, and Jules Feiffer (screenplay) - the film is pure nostalgic joy. A reminder of a simpler, more sane period in our lives. Not every film needs to be serious. Sometimes, it just needs to be fun.

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